Writing topics
Below is general information on some of the topics discussed in the
Writing Specimen
.
Commas
The purpose is to help the reader understand what's written, not to obey rules.
Here are a few ways commas are used:
1. After an introductory word or phrase.
For the past year, she has
worked in Chicago.
In many ways, she had prepared
years for that job.
At the circus, an interesting
thing happened.
When it happened, everyone was
astonished.
2. Before and after a name or name substitute in dialogue. Speakers
usually pause or use a different intonation when saying names.
"Jean, could you help me?"
"I know, baby, that it's very
important to you."
"Man, is it hot out today!"
3. Before and after a participial phrase. Participial phrases begin
with a participle or modified participle. There are two kinds of participles.
Present participles are verb forms that end in
-ing
. Past participles are verb forms that often end in
-ed
or the equivalent for irregular verbs (e.g., wanted, looked, seen, made).
Participles sometimes function as adjectives. For example, in the phrase
an educated woman,
the word
educated
is an adjective. Participles in participial phrases sometimes have properties
of adjectives.
Desire ripped through him,
tempting him to follow her.
Educated in Glasgow, she
returned there every few years after.
Strongly wanting to pursue a
relationship, he offered to drive her there.
4. Before a conjunction, especially
and,
but
and
or,
when used to link independent clauses.
I wanted to go before dark, but
he wanted to wait as long as possible.
She started studying English
every day, and soon she knew a lot.
There were many problems, so he
gathered everyone for a meeting.
5. After
which
when used as a relative pronoun modifying the whole phrase that comes before.
In the sentences below,
which
is a relative pronoun.
We found out where to go, which
was a big help.
They didn't know anything,
which was not much help.
6. Before and after the word
too
when used to mean
also,
not when used as in "The editor wrote
too
many long notes to the author."
She, too, hoped that rain would
come soon.
7. Before and after a word, phrase or clause that is not essential
to the meaning of the sentence.
Mrs. Modigliani, her old
finance prof, was in San Francisco for the weekend.
John, who started the job two
months ago, was late again.
In the first example, we know who was in San Francisco--Mrs. Modigliani--and
the parenthetical words tell us more. In the second, we know that John was
late, and the parenthetical phrase gives information about him without
affecting the meaning.
If the word, phrase or clause is essential or adds something that restricts the
meaning significantly, then no commas are used. If Jack has several sisters,
you might refer to one of them as
Jack's sister Jane
. If Jack has only one sister, then it would be usual to use commas around
Jane
because stating her name does not affect the meaning.
Sometimes it's debatable whether a word or phrase should be surrounded by
commas. In those cases, it's the writer's choice.
8. After items in a series. When we write a series of three of more
items, usually we place commas between items except between the last two, where
we use
and
without a comma:
John likes French, history and
math equally.
Next year, Mary wants to study
French, read Shakespeare and play point guard.
In the first example the items are all things, while in the second they are all
actions. It doesn't matter what the items are--we use the commas the same way.
This is a rule not to follow blindly. The sentence below has a series
(punctuation, italicization, and dangling modifiers), but there is a comma
between the last two items:
Sometimes the rules of writing,
such as the ones about punctuation, italicization, and dangling modifiers, are
more stringent in theory than in practice.
The comma after
italicization
makes it clear that it's part of a series. Without that comma, the sentence
would begin:
Sometimes the rules of writing,
such as the ones about punctuation, italicization and...
On first reading, it looks like
such as the ones about punctuation
is the complete phrase that expands on
Sometimes the rules of writing,
when in fact there is more to it. As soon as the reader gets farther in the
sentence, it's obvious that
punctuation
is the beginning of a series, but it's possible that the reader will feel
jolted and start the sentence again to understand it better.
The modern way is to use commas in all of the situations enumerated
above. Not long ago, people more often omitted commas in 1, 4 and 6 above,
and many educated writers still do in some situations.
Again, remember that you're trying to help the reader understand what you
write. These are guidelines and judgment is required. For example, despite
number 2, you might not put a comma in, "Watch out Chuck!" In speech,
it's common to pause when you say someone's name, but not when you yell at him
to watch out.
Some people don't use commas for short sentences where a conjunction connects
short, equal things, despite number 4.
Roses are red and violets are
blue.
Hyphenation
Compound adjectives are sometimes hyphenated. This is true especially when the
final word in the adjective could not stand alone as a modifier.
It was a hard-fought game.
It wouldn't make sense to say that it was a
fought
game, so the compound adjective is hyphenated. Similarly when a number is
part of the modifier:
We saw a ten-foot giant.
There is no hyphen when the number precedes a possessive:
The chair will be ready after
three week's work.
When a phrase acts as an adjective, the phrase but not what it modifies is
hyphenated:
He thought of himself as a
rough-and-ready type of guy.
However, two or more adjectives that both modify the noun need not be
hyphenated. Instead, a comma between the adjectives is usually right:
He was a short, ruddy man.
Whether to put a comma between adjectives can be a matter of choice.
He was a big fat man determined
to get his way.
An adverb/adjective combination is generally not hyphenated when the adverb
ends in
-ly
and unless the adverb/adjective combination is clearly a compound. There is no
hyphen in:
She was a supremely confident
woman.
There is a hyphen in:
It was a well-known ploy.
Passive voice
Most sentences are written in active voice. If the verb acts on something, it
acts on the object rather than the subject. In a sentence written in passive
voice, the verb acts on the subject rather than on an object, usually by using
a form of
to be
along with a past participle.
This sentence is in active voice because
gave
acts on the book:
She gave the book to her
husband.
The next sentence is in passive voice because
was given
acts on the book:
The book was given to her
husband.
Both of these are good sentences. The difference between them is one of
emphasis. The second emphasizes the book and what happened to it.
Passive voice is extremely useful. In the second example above, the writer
might not know who gave the book. Maybe the writer knows who did, but wants to
emphasize the book rather than who did the giving.
Reading sentences carefully
Do your sentences mean what you intend? Are they clear? Adverbs are especially
tricky. Pay particular attention to the placement of
not
and
only.
An example of the difficulty with adverbs is shown in this sentence:
The company's decision to cut
staff soon changed employee morale.
Did the company decided to cut staff soon, or did its decision have an
immediate effect on morale? The sentence should be recast.
Run-on sentences
Run-on sentences usually are two sentences in one, often separated by a comma.
These can often be fixed easily, and there is almost never a reason to write a
run-on sentence. Consider:
Run-on sentences usually are
two sentences in one, these can often be fixed easily.
The first part of this sentence, ending with
one,
is by itself a complete sentence. So is the part of the sentence after the
comma. When two parts of a sentence are complete sentences themselves,
separating them by a comma turns the whole thing into a run-on sentence. There
are a few ways to fix this. One of the best ways to fix a run-on is to make it
into two sentences:
Run-on sentences usually are
two sentences in one. These can often be fixed easily.
Another way is just to put a semicolon in place of the comma:
Run-on sentences usually are
two sentences in one; these can often be fixed easily.
When a semicolon separates a sentence of two parts, it's implied that the
second part is closely related to the first part. It's not incorrect
punctuation to make two unrelated sentences into one by separating them with a
semicolon, but it makes no sense and misleads the reader.
Another way to fix a run-on sentence is to put a conjunction after the comma.
(Note: it makes no more sense to connect unrelated things with a conjunction
than with a semicolon.)
Run-on sentences usually are
two sentences in one, but these can often be fixed easily.
Sentence Fragments
A sentence fragment doesn't contain a verb showing action by the subject.
Usually a fragment works best when it adds to something written in the previous
sentence by giving an example or providing emphasis:
They were always arguing about
everything. Work, bridge club, men, where to eat. Everything.
A sentence fragment that doesn't logically expand on the previous sentence or
lead to the next one is jarring to the reader.
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